Comprising a network streamer, a Bluetooth receiver and an amplifier – all built into a pair of stereo speakers – the LSX II is a great option for those looking for convenience and musicality in two compact boxes. The successor to the What Hi-Fi? Award-winning LSX, this second-gen version of the successful all-in-one system takes performance and functionality to the next level. Native 24-bit/192kHz playback requires wired connection It’s fair to say that these new Debut B5.2 speakers should be considered one of the company’s finest efforts and will match up beautifully with a turntable of similar quality.įor this sort of money, they're exceptional. Tonally, they don’t have the luscious midrange warmth of the comparable Dali Spektor 2 (below), but they’re admirably balanced and capable of making the best of any recording – even those of poor quality.Įlac has been in the speaker business since the 1980s and has made many fine products in that time. The revised 5.25cm mid/bass unit uses a new blend of aramid fibres for the cone, combined with a different shape to improve stiffness and damping, while the tweeter claims a top-end response of 35kHz, adding plenty of sparkle to proceedings. Solid and unfussy about placement, the Debut B5.2s have the dynamic expression, detail and tonal sophistication to handle anything you throw at them – not to mention enough stretch in their abilities to improve even further when hooked up to a high-end system. Looks like KEF has come a long way in nine years.Įlac's affordable standmounters are brilliant performers for the money. And that Metamaterial really works, delivering a much cleaner and more sophisticated sound than their predecessors and earning our award for Innovation of the Year in 2020. The level of delicacy and precision is staggering, and for such small speakers, the presentation is surprisingly full-bodied. While the basic sonic character is instantly familiar, the Meta gained a level of clarity and finesse the originals only hinted at. What this gives you is a noticeable sonic improvement on the original LS50. They may look almost identical, but the Uni-Q driver array for the newer model is been thoroughly reworked, with the notable addition of Meta material Absorption Technology (MAT) to absorb sound and prevent distortion via a hockey puck-sized disc with inlets and grooves that give the appearance of a plastic circular maze, all layered and designed to each absorb a different frequency of sound to prevent sound back-firing. Right, that's the technical advice out of the way. A cheap pair of speakers won't do justice to your turntable that's worth thousands, for instance, and it's always worth auditioning speakers, if you're able to, before making a final purchase. Of course, it's always worth making sure you check your budget and ensure you're buying a speaker that matches the turntable at the right level. It's a trade-off of convenience versus sound quality – and only you can tell whether it's one you're happy to make. It's a convenient way to connect, for sure, but perhaps not the best in terms of pure sound quality. If your deck has Bluetooth, though, you can wirelessly connect your record player to any Bluetooth speaker, be it a single unit or stereo pair. Also, make sure your active speakers have a volume control if you're going down this route. If you're yet to buy your turntable, it's worth thinking about getting one with a phono stage built-in (although we still stand by our assessment that a purist turntable will always sound better). You can also use powered or active speakers which have amplification built-in, but this still doesn't get around the need for a phono stage in the chain. Alternatively, your turntable might come with a phono stage built-in already, but you'll still need an amplifier in between the speakers and the deck.
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